Commemorating the 400th anniversary of John Dowland’s death
Dowland’s Foundry ensemble (Australia / United Kingdom): Daniel Thomson – tenor Sami Brown – lute
John Dowland (c. 1563–1626) was one of the most distinguished English Renaissance composers and lutenists. His contemporaries, like listeners today, admired the variety, depth and beauty of his music. In this programme, members of the Dowland’s Foundry ensemble Daniel Thomson and Sami Brown reveal the multifaceted talent of Dowland through performances of music not only by Dowland himself, but also by his contemporaries whose work was influenced by his music.
In the first of his published songs, Dowland invites us to imagine his tongue as a kind of forge: “my tongue, that makes my mouth a mint / and stamps my thoughts to coin them words…” – by extension, voices, lute and viol strings, ensemble, can be seen as parts of the same: elements of a workshop, crafting thoughts into sounds. In this sense, Dowland’s Foundry is a process: a tradition of minting ideas into music, four centuries in the making.
Sami Brown ir Daniel Thomson
Originally from Melbourne, Australia, tenor Daniel Thomson is a graduate of Basel’s Schola Cantorum. His performances are distinguished by an expressive approach, carefully grounded in the meaning of the text. He performs widely across the UK, Europe and Australia with leading ensembles, including Huelgas Ensemble and Rune, Medieval Ensemble in Residence at St Bartholomew the Great in London.
Sami Brown is a graduate of London’s Royal College of Music and one of the leading chordophonists of his generation, known for his sensitive interpretation of Elizabethan music. He has performed across Europe, China and Kenya.
Since meeting at singer Emma Kirkby’s home, Daniel Thomson and Sami Brown have performed together across the UK, many European countries and Australia. Their ensemble playing is admired for its cohesion and their deep understanding of, and affection for, the tradition of lute song. Together, the two performers also run the historical social media channel Lute_Tok, where they explore the history, cultural context and music of England’s “Golden Age”.
Programme
John Dowland (c. 1563–1626) Time stands still
John Danyel (c. 1564–1626) Like as the lute delights
John Dowland Lord Willoughby’s Welcome Home Can she excuse my wrongs It was a time when silly bees could speak
Anonymous Light of love
John Dowland Awake sweet love Sweet stay a while Dear if you change Come away, come sweet love
John Dowland Mourn, mourn Go nightly cares Lacrime
Philip Rosseter (1568–1623) No grave for woe
John Danyel Dost thou withdraw
Thomas Campion (1567–1620) To music bent
John Dowland I must complain
Daniel Bacheler (1572–1619) Monsieur’s Almaine
John Dowland Now cease my wandering eyes Come again, sweet love doth now invite
Concert duration – 1 hour Doors open – 5.30 pm Unreserved seating. To choose your preferred seat, please arrive early.
Concert partner – Museum of Applied Arts and Design.
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